Performing arts in the process of semiosis


Abstract views: 115 / PDF downloads: 47

Authors

DOI:

https://doi.org/10.5281/zenodo.10442919

Keywords:

Semiotics, arts, performance, existence, passion

Abstract

The present text aims to demonstrate the semiotic functions (essential or complex) in artistic expressivity. This text focuses on the performing arts in various shapes to show the signs of permanent movement and changeability. “Transformation” and “transcendence” are the basic notions through which I attempt to disclose the semiotic function within the mentioned expressivities, which entail either signs’ ontological or epistemological understanding.

References

Barthes, R. (1992). S/Z. Hill and Wang.

Beker, M. (1991). Semiotika književnosti. Zavod za znanost o kjiževnosti Filozofskoga Fakulteta u Zagrebu.

Bourdieu, P. (1982). Language & Symbolic Power. Polity Press.

De Saussure, F. (1959). Course in general Linguistics (A. Belly, Charles; Sechehave, Ed.). Philosophical Library.

Deely, J. (2009). Purely Objective Reality. Mouton, de Gruyter.

Eco, U. (1968). La struttura assente (la ricerca semiotica e il metodo strutturale). Bompiani.

Eco, U. (1975). Trattato di semiotica generale. Bompiani.

Eco, U. (1976). Theory of Semiotics (T. A. Sebeok, Ed.). Indiana University Press.

Eco, U. (1979). Lector in fabula (la cooperazione interpretativa nei testi narrativi). Bompiani.

Eco, U. (1980). Il nome della rosa. Bompiani.

Eco, U. (1984). The Role of the Reader (Explorations in the Semiotics of Texts). Indiana University Press.

Greimas, A. J., & Fontanille, J. (1993). The Semiotics of Passions: From State of Affairs to States of Feelings. The University of Minnesota Press.

Greimas, A. J. (1973). On Meaning. University of Minnesota Press.

Griffin, E. (2003). A First Look at Communication Theory. McGraw-Hill.

Hoxha, B. (2016a). Semiotics of precision and imprecision. Semiotica: Journal of the International Association of Semiotic Studies, 213, 539–555. https://doi.org/10.1515/sem-2015-0077.

Hoxha, B. (2016b). Sui limiti della semiotica. La soggettività opposta all’oggettività 1. EC - Rivista di semiotica dell’Associazione italiana degli studi semiotici.

Hoxha, B. (2017). Fiction and Reality in Eco’s Words. In T. Tefellsen & B. Sorensen (Eds.), Umberto Eco in is Own Words (Semiotics, pp. 236–242). De Gruyter, Mouton Editions.

Hoxha, B. (2018). The Interpretative Nature of the Text as a Semiotic Strategy. Beder University Journal of Educational Sciences, 18(1), 1–13.

Ivič, M. (1970). Pravci u lingvistici. Državna Žalozba Slovenije.

Peirce, C. S. (1960). Collected Papers of Charles Sanders Peirce (Volume I: “Principles of Philosophy” and Volume II: ‘Elements of Logic”) (C. & Hartshorne & P. Weiss, Eds.). The Belknap of Harvard University Press.

Tarasti, E. (2000). Existential Semiotics. Indiana University Press.

Tarasti, E. (2012). Semiotics of Classical Music (How Mozart, Brahms and Wagner talk to us). De Gruyter, Mouton Editions.

Tarasti, E. (2015). Sein und Schein (Explorations in Existential Semiotics). De Gruyter, Mouton Editions.

Downloads

Published

2023-12-31

How to Cite

Hoxha, B. (2023). Performing arts in the process of semiosis. TAMGA-Turkish Journal of Semiotic Studies, 1(2), 38–47. https://doi.org/10.5281/zenodo.10442919