Culture of Cultivation?


Abstract views: 67 / PDF downloads: 43

Authors

DOI:

https://doi.org/10.5281/zenodo.12530307

Keywords:

Classical text, common culture, high culture, paideion, cultivation, existential semiotics

Abstract

The essay deals with problem of the so-called classical text representing Western high culture, opposed to the so-called common or popular culture. The British cultural studies claimed that popular culture was everywhere marginal whereas the high culture was dominating. For them culture was anthropologically simply what we do every day and how we live. However, there is also another view of culture as a goal, ideal for which we are striving and which we try to reach by education. It is the Greek idea of paideion or the German concept of Bildung. Roger Scruton distinguished the high culture which was just 'the best which has been ever thought and said'. As an intuitive basis the article offers a paradigm of statements representing this view from Plato, Cicero and Seneca to Descartes, Kant, Hegel, Goethe, Kierkegaard, Georges Sand, Proust, Sartre, and Hannah Arendt. It is fashionable nowadays to 'decanonize' everything but, before, one has to know what ultimately is the canon itself.

References

Adler, G. (1911). Der Stil in der Musik (Vol. 1). Breitkopf & Härtel.

Barthes, R. (2010). Mythologies. (Jacqueline Guittard, Ed.). Seuil.

Bourdieu, P. (1979). Distinction. A Social Critique of the judgment of taste. Routledge.

Cage, J. (1981). For the Birds, John Cage in conversation with Daniel Charles. Marion Boyars.

Calvino, I. (1991/1993). Perché leggere i classici/ Why Read the Classics? Martin McLaughlin Publisher.

Cicero (1967). Vanhuudesta, ystävyydestä, velvollisuuksista. Suomentanut Marja Itkonen-Kaila. WSOY.

Danesi, M. (2008). Popular Culture. Introductory perspectives. The R&L Series in Mass Communication. Rowman and Littlefield Publishers.

Eco, U. (1971). Den frånvarande strukturen. Introduktion till den semiotiska forskningen. Bo Cavefors Bokförlag.

Einstein, A. (1976 [1951]). The Greatness in Music. DaCapo Paperback Press.

Hatten, R. S. (1994). Musical Meaning. Markedness, Correlation, and Interpretation. Indiana University Press.

Hatten, R. S. (2004). Interpreting Musical Gestures, Topics, and Tropes. Indiana University Press.

Jankélévitch, V. (1961). La musique et l'ineffable. Armand Colin.

Kristeva, J. (1988). Etrangers à nous-mêmes. Fayard.

La Bruyère (1958). Luonnekuvia eli tämän vuosisadan tapoja. (Les caractères ou les moeurs de ce siècle). (J. A. Hollo, Trans.). Werner Söderström Osakeyhtiö.

Lidov, D. (1980). Musical structure and musical signification. (Working paper) Victoria University, Toronto Semiotic Circle.

Lotman, Y. M. (2001). Universe of the mind. A semiotic theory of culture. Introduction by Umberto Eco. I. B. Tauris.

Marcel, G. (1927). Journal métaphysique. Gallimard.

Montesquieu (1919/1721). Persialaisia kirjeitä, (Lettres persannes). (J. V. Lehtonen, Trans.). Kariston Klassinen kirjasto 10. Arvi A. Karisto Osakeyhtiö.

Nietzsche, F. (1964). Die Geburt der Tragoedie aus dem Geiste der Musik. Sämtliche Werke in zwölf Bänden, Band I. Stuttgart

Parland, O. (1966). Muuttumisia. Romaani. Werner Söderström Osakeyhtiö.

Proust, M. (1982). Lukemisesta, Esipuhe John Ruskinin teokseen 'Kuninkaitten aarteet' [On the reading, preface to John Ruskin's Tresors of Kings]. (Anna Louhivuori, Trans.). Synteesi, 1, 36.

Rosato, P. (2013). The Organic Principle in Music Analysis. Acta semiotica fennica XLII. Approaches to Musical Semiotics16. Semiotic Society of Finland.

Rosen, C. (1997). The Classical Style: Haydn, Mozart, Beethoven. Expanded Edition with Compact Disc. W.W. Norton & Company.

Ruskin, J. (1918/1985). Kuninkaitten aarteet. Karisto

Ruskin, J. (1987/1843-1873). Modern Painters. (David Barrie, Ed.). André Deutsch.

Ryan, M. (2010). Cultural Studies. A Practical Introduction. Wiley-Blackwell

Scruton, R. (1997). The Aesthetics of Music. Clarendon.

Scruton, R. (2000). Modern Culture. Continuum.

Seneca (1964). Tutkielmia ja kirjeitä. Suomentanut J.A. Hollo. Werner Söderström Osakeyhtiö.

Tarasti, E. (2000). Existential Semiotics. Indiana University Press.

Tarasti, E. (2015). Sein und Schein. Explorations in Existential Semiotics. Mouton de Gruyter.

Tarasti, E. (Ed.). (2022). Transcending Signs. Mouton de Gruyter.

Vassilev, C. (2023). Methodological Foundations of Eero Tarasti's Musical Semiotics. Acta semiotica fennica LVIII, The Semiotic Society of Finland.

von Goethe, J. W. (s. d.) Tarua ja totta (Dichtung und Wahrheit). Valitut teokset (Selected works) III. (J. A. Hollo, Trans.). Otava.

Weingartner, F. (1906). On the performance of Beethoven's symphonies. Edwin F. Kalmus.

Downloads

Published

2024-06-30

How to Cite

Tarasti, E. (2024). Culture of Cultivation?. TAMGA-Turkish Journal of Semiotic Studies, 2(1), 1–12. https://doi.org/10.5281/zenodo.12530307